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Color Correction
Artist Margaret Honda’s first feature-length film, Color Correction is a commitment to celluloid cinema and a brilliantly conceived experience of projected light. The film was made using only the timing tapes that corrected the color for a Hollywood feature, the identity of which Honda does not know. Devoid of images and deeply meditative, Color Correction offers a timely insistence on the indispensable nature of this great medium.
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