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[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
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![Le cake-walk: Nègres, [I] (1903) movie poster](https://image.tmdb.org/t/p/w342/dJFO5fZ3ZzbAJ8RUQOieNVI7zwS.jpg)
![Le cake-walk: Nègres, [II] (1903) movie poster](https://image.tmdb.org/t/p/w342/ec33WzS7EFJ6wPtVvrkDAhdf61k.jpg)
